An exquisite book, in content and illustration, about love, movement, and shared humanity: a keeper.

BIRDS ON WISHBONE STREET

Everyone on Wishbone Street came from somewhere, bringing with them histories, languages, stories, and more.

Maureen, a White girl whose father is from Ireland, lives there. When a new boy moves to her street at the brink of winter, she finds out that they share a love of birds and gifts him a feather. Sami shows Maureen his “treasures,” brought over from Syria to Canada, via a refugee camp. (Readers of Del Rizzo’s 2017 title, My Beautiful Birds, will recognize Sami’s story.) Now friends, the kids have a blast with the first snow of the season, until suddenly they come across a fallen bird. With everyone pitching in, the children, together with adult members of the community, manage to save it. They go further by putting together both shelter and sources of food for the birds during the rough winter. (Step-by-step instructions are included at the end of the book.) Del Rizzo illustrates with elaborate clay modeling combined with other media; the three-dimensional look ignites interest and gives the pictures a special warmth. The story centers care for others and nature as well as focusing on people’s shared humanity. While it does not detail Sami’s refugee experience or the various backgrounds of Wishbone Street’s diverse community, its content provides many possible openings for further learning and discussion. The diverse protagonists are all capable, resourceful individuals who may be sad sometimes but have an immense ability to enjoy life.

An exquisite book, in content and illustration, about love, movement, and shared humanity: a keeper. (Picture book. 5-8)

Pub Date: Nov. 23, 2021

ISBN: 978-1-77278-219-6

Page Count: 40

Publisher: Pajama Press

Review Posted Online: Sept. 24, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 8, 2021

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