THE DAY THE STONES WALKED

A TALE OF EASTER ISLAND

Set on Easter Island, this text-heavy tale imagines the impact of a tsunami on the ancient inhabitants. Told through the eyes of a young boy, the day’s events unfold quickly. At his mother’s request, Pico runs up to warn his father of an impending storm. Obviously disdainful of his father’s preoccupation with carving the enormous statues of their ancestors, Pico delivers his message and heads home. When he sees the huge wave coming and realizes the threat is real, however, he tries to return to his father. Swept up and tumbled about, Pico is saved by catching hold of—or being held by?—one of the great stone figures. Despite their differences, Pico’s father is clearly overjoyed at his survival. Low’s computer-generated illustrations, resembling oil paintings, perfectly capture the ponderous weight of the stone statues and the threatening darkness of the impending storm. While the story may have the potential to engage thoughtful listeners, the appended author’s note seems clearly aimed at environmentally conscious adults. Earnest but ultimately unlikely to get the message across. (Picture book. 6-8)

Pub Date: May 1, 2007

ISBN: 978-0-399-24263-2

Page Count: 32

Publisher: Philomel

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2007

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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