Like most Ellington albums, Teachout's in-depth, well-researched, loving study of this American treasure is an instant...

DUKE

A LIFE OF DUKE ELLINGTON

With this exhaustive, engaging study of the greatest jazz composer of his era, Wall Street Journal drama critic Teachout solidifies his place as one of America's great music biographers.

Many have cited jazz as America's only true indigenous art form, so it is at once surprising and disheartening that major publishers are seemingly hesitant to champion books that tackle the subject—especially considering that when an author is allowed the freedom to dive into the life and music of a jazz titan, the results are often brilliant, something that Teachout demonstrated with his justifiably revered Pops: A Life of Louis Armstrong (2010). After Armstrong, chronologically speaking, bandleader/composer/arranger/pianist Duke Ellington was jazz's next game changer. Aside from his undeniably astounding ear, Ellington, like Armstrong, was a personality, one of the rare jazzmen who was able to combine heady music with showbiz panache without diminishing his art. With his vibrant prose and ability to get into his protagonist's head and heart, Teachout captures this essence and charisma in a manner worthy of Ellington's complex yet listenable classic “The Queen's Suite.” One of Ellington's most notable nonmusical qualities was his loyalty, and the author gives some of his longtime sidemen and compatriots—e.g., composer Billy Strayhorn and saxophonists Johnny Hodges and Paul Gonsalves—their due. Finally, as was the case in Pops, Teachout's musical analysis is spot-on, at once complex and accessible. It will be appreciated equally by those who have 100 Ellington albums and those whose awareness of the Duke is limited to his best-known tunes like "Take The 'A' Train" and "Satin Doll." Hopefully, the brilliance of Teachout’s treatment will compel the industry to let authors take a crack at the lives of, say, Ornette Coleman, Count Basie and Charles Mingus.

Like most Ellington albums, Teachout's in-depth, well-researched, loving study of this American treasure is an instant classic.

Pub Date: Oct. 21, 2013

ISBN: 978-1-59240-749-1

Page Count: 496

Publisher: Gotham Books

Review Posted Online: Oct. 28, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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