by The Brothers Grimm ; adapted by Bernadette Watts ; illustrated by Bernadette Watts ‧ RELEASE DATE: May 1, 2005
A romantic Grimm fairytale that’s hard to find in a single edition is retold and made lovelier by Watts’s pretty illustrations. A witch inhabits a castle in a forest; any young man approaching closer than one hundred steps is held there until he promises never to return. Young women suffer a grimmer fate: They are turned into birds and locked in cages in the castle. Jorinda and Jorindel are a young couple who wander within the witch’s domain with predictable results. Jorindel, freed but distraught, dreams of a purple flower that will break the enchantment. He searches for eight days, finds the flower and it does protect him as he approaches the castle. He frees Jorinda, “and they lived happily together for many years,” as do the 700 young women the witch had kept. The illustrations are lacy and dreamlike, with echoes of Chagall in the bright feathers and black cloak of the witch and the flower vision that inspires Jorindel. (Picture book/fairytale. 5-9)
Pub Date: May 1, 2005
ISBN: 0-7358-1987-4
Page Count: 32
Publisher: NorthSouth
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 2005
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays ‧ RELEASE DATE: Oct. 1, 2001
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Julie Danneberg & illustrated by Judy Love ‧ RELEASE DATE: Feb. 1, 2006
One more myth dispelled for all the students who believe that their teachers live in their classrooms. During the last week of school, Mrs. Hartwell and her students reflect on the things they will miss, while also looking forward to the fun that summer will bring. The kids want to cheer up their teacher, whom they imagine will be crying over lesson plans and missing them all summer long. But what gift will cheer her up? Numerous ideas are rejected, until Eddie comes up with the perfect plan. They all cooperate to create a rhyming ode to the school year and their teacher. Love’s renderings of the children are realistic, portraying the diversity of modern-day classrooms, from dress and expression to gender and skin color. She perfectly captures the emotional trauma the students imagine their teachers will go through as they leave for the summer. Her final illustration hysterically shatters that myth, and will have every teacher cheering aloud. What a perfect end to the school year. (Picture book. 5-8)
Pub Date: Feb. 1, 2006
ISBN: 1-58089-046-6
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2006
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Julie Danneberg ; illustrated by Judy Love
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