A poetic tribute to the sustaining power of the Black Church. Free verse celebrates the institution in its many incarnations from its beginnings on the plantations (when “she was / invisible . . . / her roof nightsky, / her flooring Godgrown pastures walled by woods . . . ”) and emphasizing the leaders and artists it has nurtured. Bolden’s (And Not Afraid to Dare, 1998) language is frequently labored, employing an unfortunate inverted syntax—“Multitudes she has mothered / in times of dense distress . . . ” and “wasn’t it she who raised in singles / and change much money”—that can stop readers in their tracks in order to decipher the meaning. Nevertheless, the work retains a heartfelt passion for its subject that is genuinely inspiring: “When we were the not-alloweds / and go-to-the-back-door people, / she was a warm place to be. . . . ” Christie’s (DeShawn Days, p. 868) bright, primitive-looking illustrations are bursting with expressive energy: on one page an old woman stares out through her glasses, challenging the reader to pity her; on another, members of a congregation raise their hands in glad chorus. Notes on the historical events or personages alluded to in the poem appear at the end with thumbnails of the relevant illustrations; an author’s note explains the genesis of the poem itself. Although somewhat ungainly at times, it’s ultimately moving. (Picture book. 5-8)

Pub Date: Dec. 26, 2001

ISBN: 0-679-89485-3

Page Count: 32

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...


From the Stink series

An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.

Pub Date: March 13, 2012

ISBN: 978-0-7636-5692-8

Page Count: 160

Publisher: Candlewick

Review Posted Online: Dec. 14, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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