An unforgettable must-read.

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WE ARE NOT FREE

Young Japanese Americans tell of life during World War II.

In San Francisco’s Japantown, a group of teens has grown up together and become like family. But life in America after the 1941 bombing of Pearl Harbor is dangerous for them. They and their families are taken to the Topaz incarceration camp in Utah, where the harsh conditions and injustices they experience turn their worlds upside down. They draw some comfort in being together—however, a government questionnaire causes rifts: Loyalties are questioned, lines are drawn, and anger spills over, threatening to destroy the bonds that once held them together. The teens are forced apart, some enlisting in the 442nd Regimental Combat Team while the No-Nos (those who refuse to serve in the U.S. military and swear allegiance solely to the U.S. government) are relocated to the Tule Lake camp, and others, whose families passed background checks, are allowed to resettle in locations around the country. This is a compelling and transformative story of a tragic period in American history. Written from the 14 young people’s intertwining points of view, each character fills in a segment of time between 1942 and 1945. The styles vary, including both first- and second-person narration as well as verse and letters. Each voice is powerful, evoking raw emotions of fear, anger, resentment, uncertainty, grief, pride, and love. Historical photographs and documents enhance the text.

An unforgettable must-read. (author’s note, further reading, image credits) (Historical fiction. 13-18)

Pub Date: Sept. 1, 2020

ISBN: 978-0-358-13143-4

Page Count: 400

Publisher: HMH Books

Review Posted Online: April 5, 2020

Kirkus Reviews Issue: July 15, 2020

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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