A collection that can’t be categorized as memoir or travel writing or literary criticism but cohesively combines such...

SIDEWALKS

Place, identity and the limitations of language converge in this slim collection of illuminating and incisive essays.

In her debut novel, Faces in the Crowd, published in America concurrently with this volume, Luiselli writes of literary recognition as a “virus,” one that these simultaneous publications is sure to spread. If anything, these essays are more impressive in both their expansiveness and epigrammatic precision, as the young writer—born in Mexico City, prolific in her output and currently studying for a doctorate in comparative literature at Columbia—mediates between her scholarship and her personal experience. The collection begins and ends in a cemetery in Venice, with the author making a pilgrimage to the grave of the exiled poet in the opening “Joseph Brodsky’s Room and a Half” and then returning full circle with the closing “Permanent Residence,” which ends with a vision of her own tombstone, after an admission that “writing about Venice is like emptying a glass of water into the sea.” In between, she writes of other places—primarily Mexico City and New York—and maps, architecture and, always, books and authors. “Going back to a book is like returning to the cities we believe to be our own, but which, in reality, we’ve forgotten and been forgotten by,” she writes. “In a city—in a book—we vainly revisit passages, looking for nostalgias that no longer belong to us….Rereading is not like remembering. It’s more like rewriting ourselves.” Whatever she writes about, ultimately, she’s writing about language, exploring the possibilities of words as well as recognizing their limits: “Perhaps learning to speak is realizing, little by little, that we can say nothing about anything.”

A collection that can’t be categorized as memoir or travel writing or literary criticism but cohesively combines such elements and more.

Pub Date: May 13, 2014

ISBN: 978-1-56689-356-5

Page Count: 120

Publisher: Coffee House

Review Posted Online: March 18, 2014

Kirkus Reviews Issue: April 1, 2014

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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